11-Part COURSE ON CEREMONIAL MAGICK
by Phil Hansford
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The files in this archive are copyright (c) 1988 by
Phil Hansford. They are licenced for free non-commercial
distribution only. They may not be distributed or carried
on commercial bulletin boards, nor on boards which require
a fee or donation. They may not be copied or distributed
in any form when sold or used for profit. This copyright
may not be replaced by any other copyright or license by
any other person or entity except the author. This notice
must accompany this file.
This set of files forms a complete introduction to
ceremonial magick. This is the latest version of material
which originally appeared as a printed correspondence course
from the 'College of Egyptian Mysteries'. I began writing
this material in 1974 and have been releasing revisions of
it ever since. It was first placed on my bulletin board
in electronic form in July 1986, where it has remained
until recently when I discovered that a commercial board
had it online despite specific restrictions against this.
Also, the commercial board had placed their own copyright
on the material and was attempting to claim ownership.
As a result I have 'pulled' the old files from all authorized
boards and am revising and re-issuing them in the present
form. This new release also contains a rather emphatic
copyright notice for this reason. I have never attempted to
make money off of this course material, nor from anything
I have ever done in the occult. My intention with this
material has always been to distribute it freely.
The course starts at the beginner's level and
progresses gradually toward more advanced concepts which
include meditation, chakras, the Cabala and basic ritual.
Even if you have little interest in the subject here, you
may find the first 'lesson' which discusses parapsychology
to be worthwhile. I should point out that the material is
often revised, and that I will probably be adding additional
articles in this series from time to time.
--Phil Hansford, April 1988.
========
Phil Hansford, 4/88
Mysteria
(818) 353-8891 (modem)
P.O. Box 83
Tujunga, CA 91042
Copyright (c) 1988 by Phil Hansford. This article is
is licenced for free non-commercial distribution only.
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** MAGICK 1 -- WHY MAGICK **
The ability to think seems to set us apart from
other creatures. And although we are concerned with
living in the physical world, we are mental beings. The
fact is we are thinking all the time. We plan, we brood,
we get depressed or elated -- all of it is thought. But
the universe is mental too, and if we could control our
thinking we would see magnificent results in the everyday
world.
Many systems have been developed over the ages to
help us control our thoughts. A great amount of dogma too
has been kicked around in an attempt to make us into better
people. Magick (the occult kind, spelled with a 'k') is one
of the oldest and most general of these systems. Magick is
the study and application of psychic forces. It uses mental
training, concentration, and a system of symbols to program
the mind. The purpose of magick is to alter the self and the
environment according to the will.
Most of the magick we see today comes to us from
ancient Egypt and Chaldea. The Chinese, Hindus, and Tibetans
developed their own unique types of magick. Western magick
was locked up by the Egyptian priests for thousands of years
and then supressed by the rise of Christianity. It was not
until medieval Europe that magical knowledge was rediscovered
by the alchemists and Cabalists. Only during the past hundred
years or so has western culture been open minded enough to
permit widespread investigation of the subject. Only since
the start of the twentieth century has science shown much
interest in it al all.
PARAPSYCHOLOGY AND PSYCHIC PHENOMENA
Through parapsychology, we are gaining insights
into the hidden nature of man. Parapsychology is a branch
of psychology which studies psychic phenomena. It remains
something of a frontier, even today. Perhaps one reason for
this is that psychic phenomena are somewhat inconsistent.
Nevertheless, there is strong evidence from numerous cases
and experiments in support of psychic phenomena. Somehow,
under the right conditions, the mind can directly affect
the environment.
We may theorize that the human mind and body
broadcasts a kind of psychic energy or force, much like
a radio station. Kirlian photography, temperature effects,
cloud chamber tests, and other experiments tend to support
this theory. Although the exact nature of this psychic force
is subtle and unknown, it is undoubtedly the energy behind
all psychic phenomena and magick. However, it is *not* a
radio wave, since it behaves somewhat differently. The
psychic force is too weak to be measured directly (at least
so far as we know). Everyone has some psychic ability. There
are numerous types of psychic phenomena. Parapsychology
separates them into two groups: ESP and PK...
EXAMPLES OF ESP
ESP, the abreviation for extra sensory perception,
means the reception of information through paranormal means
(ie. not regular physical senses of sight, sound, touch,
smell, or taste). In theory, this is accomplished by
receiving psychic force from outside the body. Here are some
examples of ESP:
1) Clairvoyance, or Remote Viewing -- the ability to
sense or 'see' (non-physically) distant objects, places, and
people. Individuals who see ghosts and spirits are probably
clairvoyant.
2) Clairaudience, or remote hearing -- the 'hearing'
of paranormal information.
3) Astral Projection (OOBE) or Traveling Clairvoyance
-- Full experience at a remote location while the physical
body sleeps.
4) Psychometry -- the reading of information by the
touch of physical objects.
5) Telepathic receiver -- the ability to directly
receive thought (communication) at a distance, with no
physical connection to the sender. There are many everyday
examples of this, in which we think something just as another
person is about to say it. This is an easy one to test for
through experiment. Very dramatic cases of telepathy have
been recorded; there is often an emotional element in such
cases.
6) A 'channel' or medium, as in a seance, who is
in direct communication with a 'spirit' or entity.
7) Experience with a Ouija board, pendulum, or
automatic writing.
8) Precognition -- to forsee the future. Again,
highly emotional events are the ones most likely to be 'tuned
in'.
9) Retrocognition -- knowledge of the past, by
paranormal means.
EXAMPLES OF PK
PK, the abreviation for psychokinesis, is the active
or sending side of psychic phenomena. The theory here is that
psychic force is sent out from the individual. Examples of PK
include:
1) Telepathic sender -- the transmitter in the
telepathy just discussed.
2) Psychokinesis (or telekinesis) proper -- the
ability to move objects by means of psychic force.
3) Somewhat along the same lines are poltergeist
(noisy ghost) phenomena in which objects move of their own
accord or noises are heard. There is always a human agent
involved -- frequently a teenage girl -- who appears to be
the source of psychic energy.
4) Psychic healing -- the ability to heal various
illnesses and infirmities. There are many documented cases of
this. Usually it involves a healer and a subject, although
there are recent cases invloving cancer patients learning to
heal themselves.
5) Teleportation, apportation, and levitation.
Some occultists feel a magician producing PK effects
is simply a channel for universal energy. Others think the
force originates some way directly within the magician.
THE SUBCONSCIOUS
Postulated by Freud and others, the concept of the
subconscious mind is an important one. Basicly, this is the
idea that part of the mind normally operates below or outside
of ordinary consciousness and awareness. Dreams and hypnosis
are examples of this. Also subconscious are the many
automatic functions of the physical body such as respiration
and digestion.
WHY DO MAGICK?
Magick encompasses many things -- science and art,
philosophy and metaphysics, psychology and comparative
religion. Magick is an adventure at the borderlands of the
unknown. It can fit the pieces of the puzzel of life into a
meaningful whole.
*Magick is fun* and interesting. Use magick to help
raise consciousness without drugs. Gain new experiences.
Fantacy can come alive through magick. Psychic phenomena can
be controlled and be fun and helpful.
*Magick is beneficial*. It can help you to have
excellent health, and bring you good luck. With magick life
runs smoothly; life is good. Also use magick for personality
improvement, to control bad habits and to develop new
motivations.
*Magick is powerful*. Never underestimate the
tremendous power of magick. Use magick to alter events and to
achieve your goals. Exert an influence over people and
phenomena. But power for its own sake is self defeating. The
power which magick can give you should not be your primary
reason for studying it.
MAGICK AND WITCHCRAFT
A number of other occult disciplines are prevalent
today besides magick. There are many cults and sects which
profess their own views, but there are really few differences
between them. One popular area in the occult today is
witchcraft. This is far removed from the cliche of devil
worship. Real witchcraft is a nature religion (pagan).
Witchcraft has much in common with magick.
Alchemy also has much in common with magick. It's
heritage comes from the middle ages. Alchemy fathered
chemistry and the physical sciences. But the avowed purpose
of alchemy, turning lead into gold, is too limiting to be
called magick. Sometimes the goal of alchemy is interpreted
in another way, as the transformation of man into a spiritual
being.
Then there are the numerous modern day seers or
'pychics', as they like to be called, who operate within
their own somewhat unique systems. Although many of these
people are deluded frauds, some are very powerful occultists
indeed.
Of course, everything I have said here is a
generalization. Magick, witchcraft, alchemy, or any occult
field are complex subjects. Suffice it to say that magick
includes them all (it is eclectic). For magick is undoubtedly
a philosophy which has, as the late Aleister Crowley wrote,
"The method of science -- the aim of religion."
REVIEW QUESTIONS
1) Define magick.
2) Define ESP and PK. Give examples.
3) What is the subconsicous?
BOOK LIST
Hal N. Banks, An Introduction to Psychic Studies.
Annie Besant, Thought Power.
Michael H. Brown, PK, A Report on the Power of Psychokinesis.
Richard Cavendish, The Black Arts.
Alexandira David-Neel, Magic and Mystery in Tibet.
Raynor C. Johnson, The Imprisoned Splendour.
Janet Lee Mitchell, "Is Anything Out There?", Fate magazine,
May 1988.
Ostrander and Shroeder, Psychic Discoveries Behind the
Iron Curtan.
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** MAGICK 2 -- THE SUBJECTIVITY OF EXPERIENCE -- **
' The universe is a projection of ourselves;
an image as unreal as that of our faces in a
mirror....We cannot affirm any quality in an
object as being independent of our sensorium,
or as being in itself that which it seems to
us. Nor can we assume that what we cognize is
more than a partial phantom of its cause.'
( --Aleister Crowley, Magick, p. 110)
Your awareness of the physical world and of your
place within it is mostly based upon the physical senses
(hearing, sight, smell, touch, taste). These five senses
continually send information to the mind, and it is up to
the mind to select and interpret them. If you could not do
so, your senses would overwhelm you and be meaningless.
Selection and interpretation of your sensory inputs is
essentially an automatic, mostly subconscious function of
the mind. The program or map which the subconscious follows
as its reference point is called a 'model'. The model is a
subconscious mental photograph of how you believe the world
looks (ie. worldview, mindset, egregore, or belief system).
It was built up from an early age by your religious and
cultural background through interaction with family and
others. It contains your experiences, attitudes, and
habits. And whether you realize it or not, most of your
behavior, thoughts, feelings, and habits are based upon and
conditioned by that model; even personality. The model is
one of the mind's master programs. Change in behavior
generally requires a change in the model. These limitations
built into our way of thinking cause our perceptions to be
subjective. That is why Hindu philosophy looks upon the
world as illusory (maya); the world itself (object) is not
an illusion, however from our viewpoint through perception
(subject) it is.
Thus we are all conditioned by experience. Except
that our perceptions, hence our experiences, are first
conditioned and limited by the model. Our perceptions and
experiences tend to conform to what we expect. We tend to
misinterpret or ignore things which do not match our
preconcieved notions about them. This is automatic.
THE TRUE WILL
The forgoing demonstrates how it is that there are
so many different versions of 'truth'. One's particular
view is almost arbitrary. Although numerous religions,
philosophies, and occult systems abound, they do not
contradict one and other as much as it might appear.
Rather, they describe the same (universal) reality taken
from different perspectives. For there can be no ultimate
truth in the physical world. We can only base our actions
upon assumptions and agreements. All experience is
subjective. I like to think of the universe as something
indescribable, perhaps a 4-dimentional 'thing'. As soon as
we attempt to put it into our 3-dimentional knowledge-base,
something changes and we only see an aspect of the big
picture. Just as a photograph can only show us a flat
*representation* of a greater thing, so it is with any
attempt to describe *spiritual reality* in physical terms.
Yet, there is a separate reality within each of us
which is often ignored unless we seek it. This inner self
is in magick called the 'true will'. The true will is the
center of consciousness and identity. It is the 'real you'.
Everything else is an interface or link to it from the
outer (illusory) world. Since that interface is based upon
our model, it is conditoned and may sometimes produce false
information. 'Do what thou wilt' (Crowley) is an axiom of
magick; for the true will expresses our exact desires. And
what we truly want ('down deep') we tend to automatically
get. This isn't always in our best interests, since the
true will can be conditioned (tricked) by the illusion; and
then we might desire and obtain that which is not
ultimately good for us. (Karma strikes again!) The task of
the magician therefor is to awaken his awareneess of the
true will, to be free of conditioning, and thereby to
transcend maya. ('My will unconditioned is magical' --
Spare).
HAPPINESS IS BEING HAPPY
There is no great secret to changing behavior or
habits. It is largely a matter of determination. It
requires that you ignore the 'pull' of the model when you
strive for changes within yourself. The model is, after
all, a collection of 'habits', some of which must be
unlearned for permananent change to occur. There are two
ways to do this: direct, through will power and awareness
alone -- observing and acting out in an unattached or
indifferent manner; and indirect -- through conditioning
such as affirmation (explained later), self-hypnosis, and
magick. Meditation may help too, by relaxing tension and
conflict.
Emotions follow physical expression: smile and act
happy and you will tend to feel and be happy. The same is
also true for other emotions. Also, emotions can be
purposely used (or programed) to replace other emotions.
Using this technique, a magician is somewhat like an actor
in that he learns how to turn his emotions on and off at
will. Note that this is not 'fakeing it'; the magician is
probably more in touch with his true feelings than most
people. And for these reasons we say that happiness is
being happy.
SYSTEMS OF MAGICK
Magick always involves self-hypnosis. However, it
may be more than that. For one thing, there are objective
forces involved (or so it would seem). Deities, spirits,
and cosmic force can have an independent existence. And the
repetitive physical movement sometimes involved in ritual
can itself generate PK force. On the other hand, it could
be argued that all of this is subjective to the magician.
Or that the deities and spirits are nothing more than
architypes or cosmic patterns which the magician energizes
with his own vitality. Perhaps all magical effects could be
produced through hypnosis alone. But the effects are
certainly real.
Great complexity is not necessary in magick.
Although basicly magick is a medieval system of symbolism
(in a modern context), any cosmological system will work
from Cabala to Star Wars. We usually use the medieval one
in magick because it is convenient and traditional, and
because it seems to fit our thought processes well.
Traditional symbols have greater emotional effect on the
magician than modern ones because of his familiarity with
them. What really matters is that the model of the magician
be understood and programmed, and thus that the model and
the cosmological system do correspond.
REVIEW QUESTIONS
1) Contrast subjective with objective.
2) What is a 'model'?
3) Explain the task of the magician.
BOOK LIST
Eric Berne, Games People Play.
Fritjof Capra, The Tao of Physics.
Carlos Castaneda, The Fire From Within.
Arthur Koestler, The Roots of Coincidence.
John C. Lilly, The Center of the Cyclone.
------, Programming and Metaprogramming in the Human Biocomputer.
------, Simulations of God -- The Science of Belief.
Alan Watts, The Book (on the taboo against knowing who you are).
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** MAGICK 3 -- THE FOUR WORLDS **
The ancients described man as mind, body, and soul.
Psychologists of the twentieth century added the
subconscious to that deffinition. This produces a four-fold
classification. The universe is also divided into four
corresponding parts ('worlds'), as shown below:
WORLD BODY QUALITY
===== ==== =======
spiritual world spiritual body (soul or kia) intuition
mental world mental body (conscious mind) rational
thought
astral world astral body (subconscious) emotions
physical world physical body physical senses
The astral body (subconscious) is the intermediary
for intuition, magical and psychic phenomena, and is the
'psychic link' to the physical world. J.H. Brennan says
that the astral is the realm of visual imagination. It
seems to be both a 'place' and a 'state of mind' at the
same time. Most occult and magical phenomena originate in
the invisible, non-sensate, non-physical realm (ie. without
physical senses). Each of the four worlds interacts with
the other worlds. Psychic energy flows from the spiritual
to mental to astral to physical. The physical world is a
projection (manifestation, reflection, or shadow) of the
higher worlds. Our center of consciousness is generally
within these higher worlds. "We are", to quote the rock
music group the Police, "spirits in the material world".
There are many similar terms used by other occult
groups. For example, 'astral light' is another name for
astral world, although it may sometimes also refer to the
entire non-physical realm, as may 'inner planes' or 'the
invisible world'. Planes are essentially the same as worlds.
Vehicles or sheaths are the same as bodies. Some groups
include an etheric or vital body between physical and
astral: it is mostly 'physical' with a little of the
lower 'astral' besides. And sometimes astral and mental
are each divided into two parts (upper and lower). The
'causal body' is the upper 'mental'.
MICROCOSM AND MACROCOSM
We have been describing 'traditonal' occult
philosophy here, and certainly an important part of the
tradition is the idea (and terms) microcosm and macrocosm.
The greater universe, known as the *macrocosm*, includes
everything that exists. It corresponds with the *microcosm*,
or tiny universe, ie. man -- who is thought of as a
miniature replica of the macrocosm (whole universe).
This basic magical relationship is demonstrated in the
Bible (Genesis 1.27), where God is the macrocosm; and in
the writing of Trismegistus ("As above so below"). Since
man is in the image of God (universe) it follows that God
is in the image of man (in other words, man and the
God/universe match each other). The magician, as a microcosm
is thus connected with the macrocosm. There is an intimate
relationship of energies between you and everything else.
The universe is reflected within us and we are projected
into the universe. This is an important theory behind magick
and astrology.
MAGICK WHITE AND BLACK
'Personal magick' is that magick used to affect the
self; often involving affirmation, self-suggestion, and
self-hypnosis. 'Active magick' is outer directed magick (as
in PK) used to affect someone or thing, or to bring about
an event. 'Passive magick' is to be affected (as in ESP)
by an outside non-physical cause. Everyone possesses some
magical (and psychic) potential. Some are especially
gifted. Usually people are better at one kind of magick
(ie. active or passive) than they are at the other kind;
only rarely does an individual excell at both. Traning
and practice will, of course, improve ability somewhat.
Although the forces of magick are neutral, various
systems may take on the qualities of good and evil. There
is so-called white magick or good magick, black magick or
evil magick, and gray magick between them. When many people
refer to white magick they mean magick for unselfish
purposes, also healing and mental influence with specific
permission. By black magick they refer to magick for
self-interest and healing *without* specific permission.
Using magick to forcefully control another's will is, in a
sense, black magick too. There are also some people on the
occult fringe who claim to be, possibly even think they are,
'Satanists', devil worshipers, or black magicians. These
people are most likely charlatans, hoaxters, dablers, or
merely misinformed. They may be attracted by the 'art' of
black magick, or even by the 'glamor' of doing something
against the 'rules'. But a real black magician is very
dangerous. Because he has dedicated his life to evil. We
usually think of 'white magick' as having *unselfish
intent*, and (in the extreme case) of 'black magick' as
being actual Satan worship, human or animal sacrifice,
dangerous unconventional magical practices, and other
bizarre stuff as makes a nightmare. It is all a matter of
degree. Most mild self-interest magick (one of the most
common kinds) would be called 'gray'. Better terms may be
*constructive magick* as being beneficial; and *aversive
magick* as magick intended to work against the natural
order, and to tear down. There is also the *high magick* of
spiritual alchemy (ie. spiritual growth), also known as 'the
Great Work'; and conversely there is 'low magick' which is
concerned with materiality.
Any magick act is likely to produce side effects
regardless of whether or not the desired result is achieved.
Such side effects are no problem for constructive magick,
since they are benificial as well. However, aversive magick
can produce aversive side effects which may even harm the
magician -- aversive magick is dangerous!
MAGICK IS A CONTINUOUS PROCESS
What we have been calling 'magick' is actually a
continuous process. Since your subconscious never rests,
your environment is continually being shifted into line with
your model. This is true whether you study magick or not.
For most people, these effects are usually very subtle, and
they are probably not aware of them. However, as you work
with the occult, the flow of psychic energy and your
awareness of it increases. Your true will is more likely
to be strongly expressed. Your luck may be affected (either
in a positive or a negative way). Remember, our lives tend
to follow what we want down deep. That is why a positive
outlook is so very beneficial to us.
THE MAGICAL DIARY
Sometimes it is helpful to keep a diary of your
magical experiments and research. Such a diary should include
the date, perhaps even some astrological data (or anything
else you think may have a relationship to what you are doing).
This is also a good time to begin recording your dreams --
at least the important ones -- in a dream diary. Your dreams
can tell you a great deal about yourself, and may sometimes
reveal premonitions. Dreams are personal. Don't fall for the
commercial 'dream book' gimmick.
AFFIRMATIONS
The mind is always open to suggestion -- especially the
subconscious. Most of the time we censor any suggestions
according to the model; but one way to break through the censor
is with repetition. An affirmation does this exactly. By
suggestion, we mean any statement which is capable of affecting
your model. Usually suggestion is in the form of a positive
statement (such as the hypnotist's patter -- " You are
becomming sleepy"). An affirmation is the same kind of thing --
a positive suggestion, which you repeat (affirm) to yourself
aloud or silently (for example, "I remember my dreams"). If
there is some quality you wish to change or develope within
yourself, an affirmation is ideal. Repeat it several times
every day at several different times throughout the day,
expecially when you go to bed. Affirmations are subtle and may
require a few months to work. Use them for changes, not
miracles.
SIMPLE BANISHING TECHNIQUE
Visualization is another important method we use to
influence the subconscious. A good example of this is the
simple banishing technique which follows. Banishing is used in
magick to 'clear the air' of negative 'vibes' and
interference...
Visualize a strong white light flowing out the top of
your head, flowing down around you and covering you. At the
same time imagine you are throwing away any 'problem' vibes.
Maintain the visualization for a half a minute or longer.
Good way to help you handle your emotions, and to control
worry or anger.
REVIEW QUESTIONS
1) What is a microcosm?
2) List the four worlds. Explain.
3) What is an affirmation? Give an example.
BOOK LIST
Geoffry Hodson, Theosophy Answers Some Problems of Life.
Marc Edmund Jones, Key Truths of Occult Philosophy.
Marion Weinstein, Positive Magic.
Nelson & Ann White, The Wizard's Apprentice.
Beatrice Bruteau, The Psychic Grid.
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** MAGICK 4 -- ELEMENTS AND FORCES **
The Ancients divided the world into four basic
principles or *elements* -- earth, water, fire, and air.
That viewpoint has mostly changed with advances of science,
but the four elements are still accepted in magick, for they
are more closely linked with emotions, the human psyche, and
with nature than are modern explanations of the world. These
*magical elements* are also of some importance in astrology.
Many occultists think of the magical elements as forces, or
as *qualities* of energy; especially within the astral world.
Each element has a symbol and color. (Common symbols are --
fire: a triangle pointing up; air: a triangle pointing up
and with a horizontal line through the middle of it;
water: a triangle pointing down; earth: a triangle pointing
down and with a horizontal line through the middle of it.)
Colors of the elements are -- earth: brown and green;
water: blue; fire: red; air: yellow...The Eastern tattvic
system uses different symbols and colors. (The tattvic
symbols are briefly described later on in this course.)
The elements are often used in magick ritual.
Magick sees relationships between things. These
relationships are called 'correspondences'. Although magical
correspondences are not literally equal to one another, you can
think of them that way (such as gold equals sun). Tables of
these relationships, called 'Correspondence Tables', are
available (an important one is Crowley's '777'). Thus one thing
or symbol can be used to suggest another. This is important in
magick, for the magician may surround himself with as many
appropriate correspondences as he can to vividly affect the
senses; thus making his magical contact with the inner planes
more lucid.
The magical elements have correspondences with the
tarrot cards as the four suits. The four quarters (directions
of the universe as used in magick ritual) and the Archangels
also correspond with these same elements --
Element Suit Quarter Archangel
======= ==== ======= =========
earth pentacles north Uriel
water cups west Gabriel
fire wands south Michael
air swords east Raphael
Astrological signs also correspond with the elements.
Taurus, Virgo, and Capricorn are earth signs. Cancer, Scorpio,
and Pisces are water signs. Aries, Leo and Sagittarius are
fire signs. Gemini, Libra, and Aquarius are air signs.
ELEMENTALS
The magical elements are said to be peopled by spirits
and mythological entities called elementals or nature spirits.
These are grouped into four main categories --
Gnome (earth) Undine (water) Salamander (fire) Sylph (air)
============= ============== ================= ===========
dwarfs nymphs jin (genies) fairies
elves tritons storm angels
brownies mermaids
hobgoblins mermen
lepricauns sirens
harpies
Elementals are usually only visible to those with
clairvoyant sight and are more likely to be seen at night in
the mountains or country away from cities -- especially if you
are tired or sleepy. Although elementals exist naturally, it is
also possible to create one which will exist for a limited time
-- no elemental has immortality. A created elemental is called
an 'artificial elemental'.
To the Ancients, elementals were the physical
explanation of the universe. However, some contemporary
occultists see them only as symbols for forces and otherwise
not 'real' at all. Another word sometimes used for elemental is
'familiar' (usually in medieval witchcraft); the term is
ambiguous, as it might merely be an ordinary household pet such
as a dog or cat.
YIN YANG
Chinese philosophy and acupuncture talk of yin yang.
This is the idea of polarity, or opposite pairs, as shown --
YIN YANG
=== ====
water fire
contraction expansion
cold hot
feminine masculine
moon sun
negative positive
passive active
ebb flow
wane wax
The list could go on. In Chinese literature it is quite long.
Some occultists suggest everything can be similarly arranged
into related opposite pairs.
SIMPLE MAGICK
Here is a simple magical technique you may wish to
try. It is a variation of affirmation, which was discussed
in an earlier lesson...To help you to achieve your goal
(magical or otherwise), find a word or short phase which sums
up what it is that you want to accomplish. Write the word (or
phrase) down 10 times each day until you achieve success.
REVIEW QUESTIONS
1) List the four elements.
2) What is an elemental?
3) What are correspondences?
BOOK LIST
William Britten, Art Magic (long out of print, but in some
libraries).
Pete Carrol, Liber Null.
Wing-Tsit Chan, A Source Book in Chinese Philosophy.
Manly Hall, Unseen Forces.
----------------------------------------------------------
** MAGICK 5 -- CHAKRAS AND MEDITATION **
According to East Indian philosophy, man possesses seven
major *chakras* or psychic centers on his body. Each of these
forms a bridge, link, or energy transformer; changing pure
(higher) energy into various forms, and connecting the four
bodies (ie. spiritual, mental, astral, and physical) together.
The chakras are located along the nadies (a network of psychic
nerves or channels) and follow the autonomic nervous system
along the spinal cord. Chakras correlate with major acupuncture
points along the 'governing vessel meridian' (acupuncture term).
The seven major chakras are connected together by three major
nadies which are parallel and near each other. The middle nadi
is called *sushumna* and it has neutral characteristics. The
nadi on the left (ie. nearest your left hand) is the *ida* nadi
which has yin characteristics. On the other side of sushumna
(nearest your right hand) is the *pingala* nadi, having yang
qualities.
Chakras are visible to clairvoyant sight as varously
colored rotating circles or funnels. In the East they are
described as petaled flowers or lotuses. Sources disagree on the
colors.
The first chakra, located at the base of the spine at
the perineum is the *root chakra*, muladhara. It primarily
relates to the element of earth and to psychic smell.
The second chakra, known as the *sacral center*,
svadhisthana, is located above and behind the genitals. Its
dominant element is water, and it is related to psychic taste.
Third of the chakras is the *solar plexus*, manipura,
located at the navel and corresponding with the emotions and
with the element of fire; also with psychic sight
(clairvoyance).
The *heart chakra*, anahata, is the fourth chakra,
located over the heart and corresponding with the element of
air, and also with psychic touch.
The fifth chakra is the *throat chakra*, vishuddha,
located at the base of the throat (thyroid) and corresponding
with psychic hearing (clairaudience).
The remaining two chakras are very important. They
relate mostly to elevated states of consciousness. The *frontal
chakra*, (or 'third eye') ajna, the sixth chakra, is located
between, and slightly above, the eyebrows. Ajna is the center of
psychic powers and can produce many psychic effects. Meditation
on ajna is said to cure nervousness.
Finally, the *crown chakra*, sahasrara, located atop the
head, (pineal gland) is the seventh chakra. It is referred to as
the thousand-petaled lotus and corresponds with astral
projection and enlightenment.
There are also many minor chakras throughout the body.
Each chakra has a sound (letter) and a pitch which is sometimes
used to invoke it.
THE TATTVAS
Some occultists prefer to describe the magical elements
as tattvas according to the Eastern system. Notice that these
symbols and colors are generally different than the western
symbols and colors for the elements.
element tattva tattvic symbol
======= ====== ==============
earth prithivi yellow square
water apas silver crescent
fire tejas red triangle
air vayu blue circle
(spirit) akasa black oval
YOGA
Yoga originated in India. It is a physical or mental
discipline designed to condition and invigorate the mind and
body. There are many kinds of yoga, but they may be generally
divided into three main types...
Hatha yoga -- affect the mind through the body using
physical exercises; improve physical health and endurance.
Raja yoga -- affect the mind through mental training;
improve concentration.
Mantra yoga -- affect the mind through chanting and
affirmation; achieve relaxation.
MEDITATION
This is a much touted area of the occult. There are many
meditation techniques, and many claims made for the benefits of
meditation. Basicly, meditation has two functions -- relaxation,
and perhaps, improved concentration. There are two main types...
1) concentration meditation (focusing),
2) insight meditation (mindfullness).
Most kinds of meditation are the concentrative type. One simply
focuses his attention upon a single physical object (such as a
candle flame); upon a sensation (such as that felt while walking
or breathing); upon an emotion (such as reverence or love); upon
a mantra spoken aloud or even silently; or upon a visualization
(as in chakra meditation, see below)...Concentration meditation
is, simply put, a form of self-hypnosis.
A mantra (or mantrum) is one or more words or syllables
which are repeated -- often chanted -- aloud...A simple yet
powerful mantra is to vibrate the mystical word 'OM'. This
mantra has long been associated in India with the godhead/unity.
Use it to aid in tuning into universal vibrations which promote
feelings of harmony, peace, and well-being. Use it before magick
ritual to 'get into the mood' and afterward to 'dismiss the
forces'. You vibrate a mantra by saying it slowly aloud in a
lower-pitched voice than your normal speech, and a more or less
constant pitch as well. Let the sound fade at the end of the
mantra. A powerful one such as 'OM' will seem to vibrate the air
around you. It should be vocalized for 5-10 seconds and repeated
a number of times with a few seconds rest between each
vocalization. Chanting of mantras may cause slight dizziness
from hyperventilation.
The other main type of meditaiton -- insight meditation
-- is the analysis of thoughts and feelings in such a way as to
cause realization of the subjectivity and illusion of
experience. This is done in a effort to attain trancendental
awareness. Such statements as, 'This body is not me', fall under
this category. Buddhist meditations are usually of this type.
CHAKRA MEDITATION
There is a special type of concentrative meditation
which we will call 'Chakra meditation'. This is basicly
Kundalini yoga -- the practice of causing psychic energy
(kundalini) to flow up sushumna, energizing the various
chakras along the way. The practice, considered dangerous by
some, will produce deffinite physiological sensations and
psychological effects if continued long enough. It should not
be attempted by epileptics or persons with an unstable mental
or physical condition, or with heart disease. Certain drugs and
medications, such as those used to treat epilepsy may retard
progress. Although the technique is very simple, it may
eventually produce powerful results. Results may at first appear
hours after the practice during sleep. As each chakra is
energized by this practice, it is said to add occult powers
(sidhis), until at last the crown chakra is reached, and with
it, full enlightenment is attained. Sometimes kundalini awakens
all by itself.
To practice this chakra meditation, you simply
concentrate on the chakras, beginning with the root chakra, and
moving progressively up, as you visualize psychic energy from
the root chakra traveling up shushumna and vivifying each higher
chakra. As we mentioned the chakras have certain properties
associated with them, so that this type of visualization may
'raise consciousness', promote astral projection, and other
things -- once you have reached ajna and eventually the crown
chakra. You might typically meditate in this fashion for 15
minutes to a half hour a day. It might help to practice some
hatha yoga or other physical exercise in an effort to make the
spinal cord 'more flexible'. Diet may also affect the process.
The technique is also similar to the Tibetan 'Tummo' meditation.
The rise of kundalini is sometimes experienced as a 'vibration'
or buzzing, as light, or as heat.
HEALTH AND DIET
Certainly the way you treat your physical body will
affect your mind. In magick you want an alert mind. Therefore,
your body must be as healthy as you can keep it. Take care of
your body. Exercise regularly. eat a good diet (with vitamin
supplements), and do not consume anything which will have a
negative effect upon the mind. Drugs, smoking,, and alcohol
should be restricted, or eliminated. (The mind can create any
condition which a drug can create.) A good rule here is
moderation in what and how much you consume. (Most of this stuff
is pretty obvious isn't it.) You may also want to cut down on
sugar and processed foods. Many occultists advise dietary
changes, expecially the non-eating of meat. We cannot deny the
physical, psychological, and spiritual effect which all foods
have. This effect may be described as the 'heaviness' factor of
foods. Various foods are so ranked in the chart, lighter to
heavier...
1. lettuce and other greens.
2. fruits and most vegetables.
3. wheat, rice, and other grains.
4. nuts, beans, and other legumes.
5. cheese, dairy products, including eggs.
6. fish, seafood.
7. chicken, poultry.
8. beef, pork, other red meats.
Note that meats, especially red meats are the 'heaviest' foods.
Generally, foods which are harder to digest, or which are higher
in protein are 'heavier' than those which are not. Animal
products are heavier than plants. Foods high in carbohydrate
(candy, bread, starch) are heavy. However, the 'heaviness' of
foods is not directly related to the amount of caleries.
What this means is that for various reasons, the
heaviness of food in your diet will affect your magical
experiences. You may be able to increase your psychic
receptivity ('energy level') by eating lighter foods, or by
eating less. Conversely, emphasizing heavy foods in your diet,
or eating larger helpings, may help to 'bring you down to earth'
should you 'rent the veil' too much. These are generalizations,
of course, and it may take a number of days of dietary change
before you notice much effect. I do not advocate radical dietary
changes, excessive fasting, or malnutrition. Your good health is
far more important in magick than any temporary effect you get
from prolonged starvation. A change in diet will sometimes only
produce a temporary effect, until the physical body adapts to
the change. Healthy natural foods and lifestyle make it easier
for us to be healthy, but ultimately, good health is a mentual
quality (attitude).
THE FOUR-FOLD BREATH
With physical exercise too, moderation is advised.
(You should be cautious, or not attempt it if you have a
respiratory or heart condition. Check with your physician if in
doubt, and don't overdo.) One of the most useful physical
exercises is pranayama, or controlled breathing (actually a type
of hatha yoga exercise). For this and any other calesthentics or
hatha yoga which you might choose to do a 'kitchen timer' is
suggested (many of these aren't accurate for under three
minutes, but are helpful for longer periods).
The main purpose of pranayama is to relax the body and
mind. There are many kinds of pranayama, but a simple one called
the 'four-fold breath' will suffice. This consists of four short
quick inhallations, then four short quick exhallations; then
repeat, continuing until the allotted time is used up. It will
take about 1 1/2 seconds for the four inhallations, and about
1 1/2 seconds for the four exhallations; or about 3 seconds for
the complete in-out cycle ('rep' for repetition). There should
be no strain of any kind during your pranayama. You will
probably notice a slight dizziness, particularly at first, since
the effect of pranayama is to hyperventilate. Try sitting back
in a chair with your eyes closed when you do your pranayama.
Begin a minute a day for the first week and gradually increase
up to about five minutes a day. If you do the pranayama befor
your magical activity, it will help you to get 'into the mood'.
It is also an excellent aid to relaxation and tension release.
Pranayama should not be done during heavy air pollution. Other
exercises you might consider are hatha yoga, calesthentics,
walking or jogging.
REVIEW QUESTIONS
1) What is a chakra? List them.
2) Name the three major nadies. Which nadi is hot?
3) What is pranayama?
BOOK LIST
Arthur Diekman, The Observing Self.
W.Y. Evans-Wentz, Tibetan Yoga and Secret Doctrines.
Sandra Gibson, Beyond the Mind.
King and Skinner, Techniques of High Magic.
Swami Sivananda, Kundalini Yoga.
John Woodroffe (pseud. for Arthur Avalon), The Serpent Power.
----------------------------------------------------------
** MAGICK 6 -- THOUGHTFORMS AND SPIRITS **
Although there are hundreds of kinds of divination,
the principle ones are astrology, geomancy, the tarot, the
I Ching, and direct psychic means (especially clairvoyance).
True divination is more than a mechanical system, for it
implies true psychic interpretation (receiving). Some form of
divination is often used in magick ritual to communicate with
the entity invoked.
Since divination operates through the mind, it is
affected and biased by the mind. Our attitudes and fears may
alter it. Sometimes results are very detailed, and accurate
-- but not always. Often the future is plastic and changeable
anyway, and the use of magick may alter the result. Thus
divination shows tendencies only, which may be helpful, but
must not rule us.
DEVELOPING CLAIRVOYANCE
It is possible to improve your natural ability with
clairvoyance through practice. A good start might be to look
around you, then close your eyes and try to picture your
surroundings. This is also good exercise for visualization. And
visualization is an essential talent in magick. Open your eyes
again and check your accuracy. Then close your eyes and try it
again. When you use your physical eyes, look at everything
like a child seeing it for the first time. Let the vividness
of color and form burn into you, until everything takes on a
veritable glow. Try to capture that glow when you close your
eyes now and picture your surroundings. It's just a simple
step to extend what you see with your eyes closed into what
you remember seeing in the next room, or what you *imagine*
seeing in the next building, the next city, even the other
side of the world. Don't expect perfect results, especially at
first. Just try to be even partly right. Another exercise is
to picture a clock face, and thereby tell the time
clairvoyantly.
THE AURA
Under the right conditions, it is possible to
clairvoyantly observe a colored light around other people.
This is known as the 'aura'. Sometimes the aura is seen as
multi-colored emanations around the person, built up of
various differently colored layers and zones. Although many
occult dabblers claim to be able to see the aura easily and
under many varied conditions, I seriously doubt that they do.
There are optical illusions and qualities of sight which can
sometimes trick one into thinking he sees what he does not
see. In this area, the quality of sight known as after image
is especially pertinent. Do this: stare at any solidly colored
bright object for a few moments. Very intense red, green, or
blue are especially good for this. Now look away at a white
surface and you will see a phantom image of the object in its
complementary color (a red object will show green, a blue one
orange, etc.). If the bright object is in front of a light
surface, you may observe a fringe of complementary color
around the object after a few moments. This is all very
normal, and is used by some magical groups as an aid to
visualization sometimes called 'flashing colors'. Some silly
people will stare at other people in the same way. And when
they see the after image of the person's clothing, they think
they are seeing his aura. What is more, various meanings have
been attributed to the colors of the aura. A psychic who can
see the aura is supposed to be able to determine that persons
emotional state. Thus psychic frauds can have a marvelous
time with auras. One deluded psychic taught a class I
attended in which he performed instant psychoanalysis on the
basis of the supposed aura. It was obvious that he was
actually observing after images from the students clothes!
This brings us to the chart of aura colors on the next
page. It is a general guide, based mostly on Theosophical
material. Various groups may attribute different meanings to
the colors. The colors we show on the chart are emotional in
nature; useful if you plan to create an artificial elemental
or do healing. Surrounding yourself with a particular color
will tend to produce the specific psychological effect
described in the chart. That quality of color is useful in
magick ritual.
.pa (next page)
COLORS OF THE AURA
BLACK malice
dark gray depression
pale gray fear
BROWN materialism
muddy gray selfishness
or
dull rust
RED energy
bright red anger and force
dirty red passion and sensuality
dull red selfish love
rose unselfish love
ORANGE pride
orange cloud irritability
bright orange noble indignation
YELLOW intellect
yellow-green low intellect
earthy yellow selfish thought
lemmon high intellect
bright gold logical thinking
brt. red-yel. spiritual thought
GREEN empathy
gray-green deceit, jealously
greenish-brown jealousy
emerald green unselfish resourcefulness
foliage green sympathy & empathy
brt. apple-grn strong vitality
brt. turquoise deep sympathy & compassion
BLUE devotion (religious feeling)
gray-blue fetishism
light blue noble spiritual devotion
dark blue religious feeling
brt. lilac-blu lofty religious idealism
VIOLET spiritual psychic & spiritual
faculty
WHITE purity/protection
.pa (next page)
THOUGHTFORMS AND SPIRITS
Whenever we concentrate our thoughts, we draw psychic
energy together. This is called a thoughtform. Usually the
energy dissipates as soon as we break the concentration, but
it is possible to purposely concentrate energy in this way,
producing very strong thoughtforms. Such thoughtforms are
vortexes or centers of psychic energy. They can exist as
entities by themselves, at least for a while. They are
basically inanimate, non-thinking forces. Talking to one is
about as logical as talking to a chair. In this way,
thoughtforms are similar to elementals, ghosts, and spirits.
All of these psychic entities consist of a psychic energy
vortex which could be described as a localized field or as a
discontinuity of the physical world.
Psychic entities respond to certain electrostatic and
magnetic fields, and to other energy vortexes. That is why
they respond to magick ritual. Someday, we may accomplish the
same thing with electronic machines. Psychic entities are
sometimes able to affect our thought processes.
Thoughtforms, elementals, and ghosts are usually not
very smart. If they display any intelligence at all, it is
limited. They are the morons of the spirit world. Their
behavior is usually automatic, repetitive, robot-like (just
like some people). We see that artificial elementals
are little more than astral robots. Spirits and deities are
more intelligent and volitional.
DIRECTED ATTENTION
Your mind follows your attention. Wherever you direct
your attention, there will your thoughts go too. By directing
attention to a specific place or purpose you *focus* mental
energy upon it.
For example: you're having lunch in a cafeteria
crowded with people. It is a large place, and everyone there
is talking at once, so that the room is a constant jumble of
noise. You happen to notice a man accross the room; he
reminds you of someone. All at once he drops his fork and you
hear it hit the table. But would you have noticed the sound
of his fork if you had not been looking? No. Only by focusing
your attention there were you able to pick out that
individual event and associated sound.
It is a dark night. You are walking and the only
light you have is from the flashlight you hold in your hand.
As you move the flashlight around, the beam of light from it
directs your attention first one way then another. Now, the
mind is something like that flashlight in the dark. And by
directed attention, you point the mind to one place or
another. As with that flashlight beam, you see where the mind
is pointed; nothing more. The rest is 'noise'. And so we
could define mental noise as anything not focused upon. In
another way, noise could be considered as negative emotions,
attitudes, and thoughts which make it more difficult to
direct the attention.
Your emotions follow your thoughts quite easily. Your
emotions are not YOU, but are rather reactions prompted by
your model and ego -- like a performance or an act, while
the real you watches. In a similar way, directing your
attention toward a specific emotion will cause you to
experience that emotion.
VISUALIZATION EXERCISES
Visual imagination and concentration are very
important in magick. Here are some exercises to help
in your development...
A. Close your eyes and visualize a single digit
number as clearly as you can. Then a two digit number, then
a 3 digit one. Hold the visualization in front of your
'inner eye' for about two minutes. Repeat with a letter
or a word.
B. Visualize a brightly colored green circleor spot.
Again hold the visualization for two minutes. Try again with
a different color.
C. Visualize in succession, each one of the tattvic
symbols, in their proper color. Hold each symbol for at
least two minutes.
D. Look through a tarrot card deck and pick out
several of your favorite cards. Then, after briefly studying
a card, visualize it vividly in detail. Hold the visualization
for at least two minutes. Do this for each card you selected.
E. Repeat the above visualization exercises with
your eyes open.
REVIEW QUESTIONS
1) What is the aura?
2) What is a thoughtform?
3) How can you develope clairvoyance?
BOOK LIST
Annie Bessant and Charles Leadbeater, Thought Forms.
W.E. Butler, How to Develop Clairvoyance.
J.H. Brennan, Astral Doorways.
Piero Ferrucci, What We May Be.
Kilner, The Human Aura.
Swami Panchadasi, The Human Aura.
A.E. Powell, The Etheric Double.
Harold Sherman, How to Make ESP Work for You.
----------------------------------------------------------
** MAGICK 7 -- BASIC RITUAL **
'The first part of every ceremony is the
banishing; the second the invoking.'
(--Crowley, Magick, p. 104)
It may be said that ritual is the very heart of
magick. For it is through ritual that we achieve our magical
results. Ritual is a magical procedure or ceremony we perform
in order to change the environment. Usually we think of
ritual as bearing on active magick, although certainly, it
can also affect passive magick. Most often the change
achieved is subjective (it may be subtle) and in the physical
world. Outsiders may put them down to coincidence, but the
effects are very real. Magical goals for a ritual should not
be taken lightly.
The successful practice of magick depends upon strong
belief. The simplest ritual of them all must be belief
itself. If you can believe in your desired results strongly
enough, that act is a magical ritual which will achieve your
results. Even a very complex ritual is no more effective than
strong belief. There are aids to concentration which may
help. Thus in *creative visualization*, imagination and
controlled breathing are brought into play.
CREATIVE VISUALIZATION
When you want to magically achieve something, first
picture it clearly in your mind. The more deffinite and
specific your idea of what it is the better. Picture yourself
having it or doing it. Visualize it as vividly and as
intensely as you can and hold it in your thoughts for a few
moments. Concentrate on it intensely (it may help to hold
your breath). Feel the energy of desire welling up inside
you. Then suddenly feel the image or desire released from
your mind. Feel the energy filtering through the image and
intensifying it, as if the image is a 'stencil'. Imagine the
energy exploding out from you into the macrocosm in all
directions at once, and feel the universe 'tilt' as it reacts
to the force. (At the same time it may help to release your
breath suddenly). Feel the energy draining from you. Finally,
*believe* that your purpose *has* been accomplished; that it
HAS HAPPENED, perhaps saying something such as "so mote it
be", or "it is done".
THE BASIC PARTS OF A RITUAL
Often rituals are more formal than the above, but any
full magick ritual must always reduce to these stages --
1) imaging; 2) building; 3) firing. Sometimes a ritual must
be repeated every day for a while to achieve difficult
results or to overcome weak belief.
THE MAGICK CIRCLE
Often an important part of formal ritual is the
magick circle. Medieval magicians considered the circle
essential, and placed great emphasis upon its exactness.
Elaborate designs were invented with many layers of complex
symbols and words. It was very important that the circle
be completely intact with no breaks in it. The magician
and any other participants stand in the circle during ritual.
The ritual began with a banishing of evil forces (using the
lesser ritual of the pentagram for example) to keep them
outside the circle. Today, circles are made on the floor
with chalk or paint, rock salt, or a rope. Whatever its
form, the circle is still an important part of magical
protection for the magician. This is especially important
for aversive entities and purposes. The circle also helps
in focusing the energy of the ritual toward its purpose,
that is, it keeps it contained until the magician is ready
to release it. Of course, the magick circle is basicly
only a symbol, but it may eventually be possible to
supplement the circle with electronic equipment for a
similar purpose. We are researching the practicality of
electrostaticly charged Faraday shields.
ARTIFICIAL ELEMENTALS
An artificial elemental is useful for certain
tasks: 1) invisible watcher and observer, telling you what
it sees; 2) psychic guard; 3) it can be used in healing; 4)
it is helpful in other ways. Ophiel calls the artificial
elemental a 'familiar'. Producing your own artificial
elemental is fairly easy. YOU MUST ASSUME THAT THE ACT HAS
PRODUCED RESULTS, EVEN IF YOU DO NOT IMMEDIATELY OBSERVE
THEM. It is entirely possible to produce one of these little
beasties and not know it (not being clairvoyant enough to
observe it directly). Therefore, and this is a general
principle of any magick, never ignore forces you have set
into motion. Even though you may not see the elemental, you
may nevertheless 'feel' it.
WARNING -- Do not use artificial elementals for any
kind of aversive magick at this point; they can be nasty
little critters to get rid of. Should you have to eliminate
one of them which you created in error, you must re-absorb
it back into yourself through your will; or in some cases
you can 'exorcise' it.
HOW TO CREATE AN ARTIFICIAL ELEMENTAL
You can create your own artificial elemental for
various purposes. An artificial elemental is basically a
thoughtform which has been strengthened with emotion. Refer
to the aura color chart in the previous lesson and decide
what color to make the elemental, based upon your intended
purpose. Apple green is a good choice for general purposes.
Then decide on a shape or outline. Do you want your elemental
to resemble some sort of animal? A simple circle or cloud is
a good place to start. With this in mind you can use ritual
to create your elemental. Creative visualization is good for
this. Visualize it glowing before you. A darkened room is
helpful for this.
Communicate with your elemental with telepathy, by
talking to it, or with creative visualization. Your
artificial elemental is closely linked to you and your
subconscious attitudes. It will generally not do things you
think it cannot do. As in any magick, results relate to
effort and belief. Another way of looking at an artificial
elemental is as an aspect of your personality (sub
personality) which has been detached from you.
INVOCATION
Formal ritual usually involves the invocation
(ritually calling up) of a god or goddess, spirit, or other
entity. In this sense, magick is somewhat similar to pagan
religion and witchcraft. However, we consider magick ritual
a technique, not a religion. Worship need not be involved.
Sometimes the invocation of an entity creates an artificial
elemental.
Crowley says there are three different kinds of
invocation --
1) Devotion to the entity (as in the Bhakti yoga of
the Hare Krishna sect; the Faustian devil pact).
2) Ceremonial invocation -- usual method of the
middle ages.
3) Drama -- usually needs more than one person (as in
a mass).
Because of the microcosm-macrocosm identity, when
you invoke the gods, you are invoking aspects of yourself.
Jung has referred to the gods as primitive archetypes.
This makes it sound like spiritual entities are illusions.
But in fact the microcosm-macrocosm identity does not
discredit the gods and goddesses. It instead helps to
illustrate our relationship to the cosmos.
>>CAUTIONS<<
1. Balance is important in magick. Vary the entities
invoked in order to keep your personality in balance.
2. Often as not a ritual may produce side-effects,
usually something similar to, though not exactly the desired
goal. If the true goal is delayed (as sometimes happens) we
may see the side effects first. And if for some reason the
goal is not achieved at all ('missing the target') the side
effects may be pronounced. Examples: 1) You use magick ritual
to hurry shipment of an anticipated package in the mail. Side
effect -- the next day an unexpected package (the
wrong one) arrives instead. 2) You use magick ritual to cause
a certain person to phone you. Side effect -- for several
days all sorts of people phone you...The sides effects will
not affect you (or anyone else) adversely unless that is
what you inwardly want.
3. We may say with certainty that "something always
happens" when we perform a magick ritual. But like everything
else, magick follows the 'law of results'. This means that
results require effort of some kind. And if you don't work
hard enough at it you don't get results. Difficult goals have
greater resistance (magical inertia) to overcome. If the
ritual doesn't produce the desired results there is a good
chance that the reason for the failure is within oursleves.
Be certain there is no contradiction between your model
and your magical goals. Sometimes self doubt and mental
contradictions (wanting and not wanting at the same time) may
interfere. The first step in magick is to re-program your
model. And, of course you can help your magical results by
working on the physical level toward your goals. Don't expect
them to fall into your lap by themselves.
4) A peculiar quality of magick is time displacement.
Results of a ritual are not usually instantaneous. There is
often a delay of 12 hours or more. Difficult tasks or weakly
performed ritual are more likely to be delayed. In most cases
a slight delay is alright, and it gives us time to get used
to the comming changes. And sometimes the effects of a ritual
appear to extend to before the ritual was performed!
5) Because of the way magick works, a ritual may
create an emphasis in what is sought, and a de-emphasis in
everything else. Balance is therefore important here. Once
the magical result is achieved it may be 'bound' to you and
difficult to get rid of should you later decide to do so.
Example: You use a magick ritual to help you find and buy a
new house. Years later when you decide to sell it, you are
unable to do so. Consider your magical goals wisely so you
dont get stuck with something you don't really want. Note
that theory says you can always unbind through ritual what
was bound to you...theory says.
6) Sometimes the environment appears to react against
the magick after the results are achieved. This is
particularly noticeable in using magick to affect the weather
(and the main reason why you should NOT use magick to affect
the weather). For example...Your performance of a ritual to
produce a sunny day produces a sunny day. The next day is
sunny, alright, but the rest of the month is cold and
overcast. Here the weather seems to react to the magick in
the opposite way to re-establish its natural balance. It is
something like pushing a pendulum to one side and releasing
it -- the pendulum swings to the other side. To quote
Emmerson -- "For everything you gain you lose something...".
I don't know that this is always true in magick, but it does
illustrate the point. And another reason not to use magick to
affect the weather is that it might foul it up in other parts
of the country (world??).
7) Finally, magick ritual (or any magick or
occultism) is very dangerous for the mentally unstable. If
you should somehow 'get out too far', eat 'heavy foods' as
previously discussed (lesson on chakras) and use your
religious background or old belief system for support. But
remember too, that wierd experiences are not necessarily bad
experiences.
REVIEW QUESTIONS
1) What is creative visualization?
2) List the basic parts of a ritual.
3) What is invocation?
RESEARCH TOPICS (for independent study)
1) Examine the differences between western magick and oriental
magick.
2) How do medieval grimoirs follow the basic ritual pattern?
3) Research and design your own formal ritual.
BOOK LIST
P.E.I. Bonewitz, Real Magic.
David Conway, Magic: an Occult Primer (or Ritual Magic).
Aleister Crowley, Magick in Theory and Practice.
Denning and Phillips, Creative Visualization.
Ophiel, Creative Visualization.
A.E. Powell, The Astral Body.
________, The Mental Body.
Joseph Weed, Wisdom of the Ancient Masters.
Julian Wilde, Grimoire of Chaos Magick.
----------------------------------------------------------
** MAGICK 8 -- HEALING AND BANISHING **
Psychic or spiritual healing is a human potential we
all possess. Some people are especially good at this. It is
probably easier to heal someone else by occult means than
yourself. In addition to healing in the presence of the
person, there is 'absent healing' in which the healing
occurs at a distance. Note that there are some who maintain
that influence on another person without his specific
knowledge and permission (yes, even in healing and helping)
is black magick. (After all, everybody is living according to
his own true will, so that healing or helping someone
without permission is affecting his will). This means it is
important to tell the person what you are planning to do and
to ask his permission. The theory of psychic healing is that
sickness is characterized (although not necessarily caused)
by a deficiency and imbalance of vital energy. Psychic
healing transfers energy from the healer to the sick to
repair and rebalance his energies. If an inept healer
overdoes the process, or if he doesn't take the precaution
to 'disconnect' himself afterwards, he may find himself
becoming sick due to energy drain and a linkage to his
subject. Similarly, the healer should always be in a good
state of health or he could unintentionally transfer his
illness to the subject.
The basic methods of psychic healing are: 1) creative
visualization, 2) prayer, 3) ritual. Creative visualization
is one of the easiest techniques. Mild illness may yield to
only one or two treatments; serious ills will require
many treatments over time. Psychic healing should always be
combined with medical care and treatment. It does not replace
doctors, medicine, or hospitals, since different levels
(worlds) are involved. In creative visualization, we
visualize the person being well. It may be helpful to utilize
the appropriate color from the aura chart (such as bright
apple-green, rose pink, or white) sent as a beam to the
person or as a cloud surrounding him. This technique can be
extended to include a simple kind of yoga in which we feel
energy sent as we exhale explosively; the energy sent either
via the breath or from one of the chakras such as the solar
plexus. Sometimes in absent healing it is helpful to arrange
a time for treatment in advance, asking your subject to be in
a receptive state of mind and to sit back and close his eyes.
THE BANISHING RITUAL
One of the most basic and useful ceremonial rituals
of magick is called the *banishing ritual*, or lesser
ritual of the pentagram. A pentagram (or pentacle) is a
five-pointed star with the point up. The banishing ritual is
helpful in psychic protection and healing since it forms a
protective barrier against malevolent forces. The psychic
barrier it creates can be made to permit entry of desired
(constructive) forces and the exclusion of negative ones.
Thus, the banishing ritual is an essential first step in
almost any formal full magick ceremony. The ritual requires
that you use a magical implement or "weapon", such as a
ceremonial knife, wand, or simply point your index finger, to
"draw" the pentagram in the air at each of the cardinal
points (four directions). Also, you will be chanting
('vibrating') some Hebrew names of God.
Holding your magical weapon and facing east, extend
your arm out straight in front of you. In this ritual you
will use the full sweep of your arm to draw the pentagram in
the air. Follow the description below by beginning at the
lower left and sweeping your magical weapon up toward the
right, etc. as shown. Do not bend your arm at the wrist or
elbow. While you do this, visualize the lines and eventually
the star as vibrant white, floating in the space before you.
You are projecting energy to do this, and the result will be
a gleaming 5-pointed star floating in the east; visualize
this as vividly as you can. Now you will energize it further
by piercing the center of it with your magical weapon and
vibrating (speaking slowly in a slightly lower than normal
pitch, remember) "Yod-He-Vau-He".
=============================================
-- DESCRIPTION --
Approximate points on a round clock face --
1. Begin at 7:30 position.
2. Point to 12 oclock position.
3. Point to 4:30 position.
4. Point to 10:30 position.
5. Point to 2:30 position.
6. Return to 7:30 position.]
=============================================
Then turn slowly to the next cardinal point in
sequence, and as you do so, with your arm still extended in
front of you, visualize a white line connecting around to
the cardinal point. Trace a similar pentagram with the
appropriate words and following the same procedure:
South -- Adonai Tzaboath
West -- Eh-Ei-He
North -- Agla.
Now complete the white line drawn back to the center of the
eastern pentagram. Note that the cardinal points must be
followed in a clockwise order, and the pentagram must be
drawn in the manner illustrated; to do otherwise would change
the function of the ritual. The result of all this should be
a large bright white pentagram visualized hanging in mid-air
at each of the four directions, all tied together by a bright
white line. You could now, for example, visualize the
pentagrams moving out to the circumference of your home,
thereby protecting all within.
There is also a somewhat simplified version of this
ritual in which the pentagram is traced only once overhead
and then is energized with one of the four names, such as
"Eh-Ei-He". Oftentimes the simplified version is sufficient,
but naturally the effect of the full version is more
complete.
One of the primary uses of this ritual is to ward off
psychic attack -- that is, when another is (consciously or
unconsciously) attempting to harm you, cause sickness,
accidents, bad dreams, emotional upset, or to force you to do
something against your will. Fortunately this doesn't happen
very often. The world of the magician is fairly safe for the
pure of heart. Psychic attack usually depends upon
vulnerabilities. If you are not vulnerable you are safe. Thus
unificaition with the true will is the greatest protection
possible. And the use of the banishing ritual is never
hurtful. You can even use it to hold off negative aspects of
yourself.
Other forms of protection sometimes helpful
(depending upon one's model) are recitation of the 'Lord's
Prayer', the 23rd, and 91st Psalms.
REVIEW QUESTIONS
1) What is a pentagram?
2) What is psychic healing? List the basic methods.
3) What is the banishing ritual? Why is it used?
BOOK LIST
Dion Fortune, Psychic Self-Defense.
________, Sane Occultism.
Adeliade Gardner, Vital Magnetic Healing.
Max Heindel, The Vital Body.
Ernest Holms, The Science of Mind.
Mouni Sadhu, Theurgy.
----------------------------------------------------------
** MAGICK 9 -- ASTRAL PROJECTION **
Astral projection (OOBE, out of the body experience)
is a popular area of occult literature; for traveling to see
other worlds and places while the physical body sleeps or is
entranced is an exciting notion. Astral projection is not
dangerous. It is as safe as sleeping. Most dreams are probably
unconscious astral projections, anyway. Although there has
been quite a bit written on the subject, astral projection
is difficult for many people. The main difficulty is the
tendency to forget dream consciousness upon awakening.
Accordingly, the successful practice of astral projection
requires work.
Modern psychology discounts the idea of actual OOBE
(that the spirit temporarily vacates the physical body).
However, the idea is very ancient. The Tibetans have an
entire system of yoga (dream yoga) based upon astral
projection. And here we have an important assumption: you are
involved in an OOBE (at least to a degree) whenever you
dream. What sets it apart from a full OOBE is your hazy
consciousness during the experience and poor recall
afterwards. Many people forget most of their dreams
completely. Learning astral projection requires a kind of
inner mental clarity and alertness.
Dreams are a door to the subconscious which can be
used for psychological and spiritual insight, and sometimes
for precognition. Dream content is influenced by external
sounds and sensations. For example, a loud external noise
(such as a train) will likely appear in your dream (if it
doesn't wake you up!). Dreams are also influenced by events
of the previous day, by your moods, and by suggestion.
Everyone normally dreams 4 or 5 times a night (about every 2
hours). The longest dreams occur in the morning. Everyone
dreams. You are more likely to remember the details of your
dream when you first wake up. By keeping a dream diary you
will improve dream recall. Have writing equipment or a tape
recorder at your bedside for this purpose; also a light
which isn't too bright. Suggest to yourself several times
before you go to sleep, "I will awaken with the knowledge of
a dream." Then when you do awaken, move quietly (sometimes
just turning over drives the idea away). Remember first,
then write the dream down, and then add as many details as
possible. The next day check for objective facts and expand
if you can (by remembering 'what happened before that'). Once
you start remembering your dreams in this way, it will
become easier to do so. (If you are unsuccessful at this,
and *really* want to remember your dreams, you could
arrange for someone to sit by your bedside all night long
with a dim light on. Then when he sees your eyes moving back
and forth -- rapid eye movements, a sign you are dreaming --
he can wake you and ask for a dream report.)
FORMS OF ASTRAL PROJECTION
Astral projection may be subdivided into three basic
types: mental projection, astral projection (proper) and
etheric projection. And your OOBE may shift between them.
Mental projection is really simple clairvoyance ('remote
viewing'), and 'traveling in your mind'. Imagination plays
a key role. The experience of mental projection is not
particularly vivid, and you will more likely be an observer
than a participant. Nevertheless, mental projection is an
important 'way in' to astral projection proper.
During mental projection and astral projection you
are able to travel through solid objects, but are not able
to act directly upon them or to move them (if they are in
the physical world). This is not true during etheric
projection. Whether it is simply subconscious expectation,
or whether it is a true etheric projection which in theory
means that part of your physical body has been relocated
with your projection (the etheric or vital part) may be
difficult to determine. Etheric projections generally travel
at or very near the physical world. There are even cases
reported (very, very rare ones) in which the entire physical
body is transferred to another location (teleportation), or
cases in which the physical body exists and acts in two
separate places at once (bilocation)!
But our primary interest is astral projection
proper, and mental projection to a lesser extent. Astral and
mental projection are not confined to the physical world.
Travel in the mental and astral realms is feasible, and
often preferred. Nor are astral and mental projection
restricted to the realm of the earth (you could even go to
the moon and planets).
STATES OF CONSCIOUSNESS
The electrical activity of the brain has been
observed and classified with EEG (electroencephalograph)
equipment; signals picked up from the scalp by electrodes,
then filtered and amplified, drive a graph recorder. Brain
activity has been found to produce specific ranges for
certain basic states of consciousness, as indicated in 'hz'
(hertz, or cycles/vibrations per second):
delta -- 0.2 to 3.5 hz (deep sleep, trance state),
theta -- 3.5 to 7.5 hz (day dreaming, memory),
alpha -- 7.5 to 13 hz (tranquility, heightened
awareness, meditation),
beta -- 13 to 28 hz (tension, 'normal'
consciousness).
As you can see, some form of physical relaxation is implied
in the alpha, theta, and delta consciousness. These states
are in fact reached through deep breathing, hypnosis, and
other relaxation techniques. OOBE occurs during these
states, and delta is probably the most important for it.
The problem is really, as we have said, one of maintaining
mental awareness and alertness while experienceing these
altered states. Experimental subjects hooked to an EEG do
not show a discrete change from drowsy to sleep; it is very
gradual.
At the threshold between sleep and waking
consciousness is a drowsy condition known as the hypnogogic
state. OOBE seems to occur during this state, or a
variant of it. By careful control of the hypnogogic state
(not going beyond it) it is possible to enter OOBE directly.
BASIC TECHNIQUES
Most methods of astral projection are methods of
conditioning. Some form of trance or altered consciousness
is always involved. No one ever projects consciously while
fully awake (some may think that they do). Although there
are many techniques used to produce an astral projection,
they boil down to ten of them. They all sort of overlap.
1) Diet -- Certain dietary practices may aid in OOBE,
especially at first. These include fasting, vegitarianism,
and in general the eating of 'light' foods as discussed in a
a previous lesson. Carrots and raw eggs are thought to be
especially beneficial, but all nuts are to be avoided.
Over-eating should be avoided. And no food should be eaten
just before an OOBE attempt. If you intend to practice
during sleep, for example, allow 2 to 4 hours of no food or
drink (except water) before bedtime. In general, we see here
the same kind of dietary restrictions advocated for
kundalini yoga.
2) Progressive muscular relaxation -- This is one
of the basic methods used in hypnosis and self-hypnosis.
Physical relaxation can assist one in attaining the
requisite trance state. These techniques involve beginning
at the toes and tensing, then relaxing the muscles,
progressively up the entire body.
3) Yoga and breath -- Yoga, mantra, and breathing
exercises similarly aim at physical relaxation. The practice
of kundalini yoga is particularly relevant, since it is
concerned with altered consciousness. In fact the arousal
of kundalini requires a similar state of consciousness to
OOBE.
4) Visualization -- This involves a type of extended
clairvoyance or picturing of remote surroundings. If you can
experience the feeling of being there, so much the better.
Although this technique is essentially mental projection, it
is possible to deepen mental projection into astral
projection through (you guessed it!) visualization. Crowley
taught a similar technique: a) visualize a closed door on a
blank wall, b) imagine a meditation symbol on
the door, c) visualize the door opening and yourself
entering through it. And J.H. Brennan describes similar
techniques wherein the door is shaped and colored like a
tattva, or alternately, a chosen tarrot card is visualized
and the student visualizes entering into it.
5) Guided imagery -- In many respects similar to
visualization. Except in this case, there is a guide (or
perhaps a voice on tape) directing you by means of
descriptions. As with visualization, mental rather than
astral projection is most likely.
6) Body of Light -- The old Golden Dawn technique.
Imagine a duplicate (mirror image) of yourself in front of
you. Then transfer your consciousness and sensation to the
duplicate ('body of light').
7) Strong willing -- Sort of like creative
visualization experienced in the present. That is you
express your strong desire to project through your willpower
while you visualize yourself doing it.
8) The Monroe techniques -- These are a series of
steps developed by Robert Monroe: a) relax the body,
b) enter the hypnogogic state, c) deepen the state,
d) develope the senstation of 'vibration', e) separate from
the body. The Monroe Institute has developed some cassete
tapes which are claimed to help in this.
9) Dream control -- This is one of the most
important techniques. It involves becoming aware that you
are dreaming. There are several ways to do this. Oliver Fox
says to look for descrepancies in the dream to realize you
are dreaming. One occult student I know of visualized a
white horse which he could ride wherever he wished to go.
After a time, when the horse appeared in his dreams it was
his cue that he was actually dreaming/projecting. Don Juan
tells Castaneda to look at his hands while he is dreaming.
And even the tarot and Cabala may be used as dream signals.
Another method is to tell yourself each night as you go to
sleep, "I can fly"; then when you do, you will know you are
dreaming. Once you know you are dreaming you can control
your dream/OOBE and go anywhere you want. Repetitive
activities will also likely influence your dreams. For
example, if you are on an automobile trip and spend most
of the day driving, you will probably dream about driving.
You can condition yourself to be aware you are dreaming
by doing a repetitive activity many times (walking across
the room or a particular magick ritual, for example).
Then when you dream about it, you will know you are dreaming.
10) Dream expansion-- A variation on dream control.
A dream may be *extended* by imagining it continuing from
where it was when you awaken. Then it is just a simple step
to 'astral project' by directing you 'dream'.
Although all these techniques may appear
straightforward, they all require effort. Astral projection
is generally learned.
The astral world is the "ghostland" into which one
passes after death. It is sometimes possible to visit with
the dead, or you might be called upon to reassure and assist
those who have just passed over (died) or those who are
consciously projecting for the first time. Many spirits,
elementals and ghosts exist in the astral world. The
magician should feel comfortable there. Tibetan belief is
that through proficiency in OOBE, you no longer need
reincarnate after death. The astral world is extremely
changeable and subject to your thoughts. Your will can
control your movements in the astral world, and if you seem
to be going somewhere non-volitionally ('astral current') it
is probably your true will causing it anyway. You might also
experience heightened magical ability while in the astral realm.
[This is a popular subject, and there may be other files online
about it. Check the MIND file area for OOBE.ARC. This file
includes the following articles --
MIAS.DOC.
MONROE.DOC.
OBEBOOK.AST
OOBE.THR.
TN.TXT.]
REVIEW QUESTIONS
1) What is the relationship between astral projection and
dreams.
2) What is mental projection?
3) List the ten basic methods of astral projection.
BOOK LIST
H.P. Battersby, Man Outside Himself.
Susan J. Blackmore, Beyond the Body.
J.H. Brennan, Astral Doorways.
Robert Crookall, The Techniques of Astral Projection.
Denning and Phillips, The Llewellyn Practical Guide to Astral
Projection.
Oliver Fox, Astral Projection.
Gavin & Yvonne Frost, Astral Travel.
Celia Green, Out-of-the-body Experiences.
Richard A. Greene, The Handbook of Astral Projection.
Herbert Greenhouse, The Astral Journey.
Jack London, Star Rover (historical occult novel).
Janet Mitchell, Out of Body Experiences.
Robert Monroe, Journeys Out of the Body.
Robert E. Moser, Mental and Astral Projection.
Muldoon and Carrington, The Projection of the Astral Body.
Ophiel, The Art and Practice of Astral Projection.
A.E. Powell, The Astral Body.
D. Scott Rogo, Leaving the Body.
J.M. Shay, Out of the Body Consciousness.
Susy Smith, The Enigma of Out-of-the-body Travel.
Brad Steiger, The Mind Travelers.
Yram, Practical Astral Projection.
-----------------------------------------------------------
** MAGICK 10 -- CABALA **
Western magick is based upon the Cabala, a Jewish
mystical traditon first written down in 12th and 13th century
southern France and Spain. It was oral before that; and it
contains the "lost" knowledge of the ancients, possibly going
back to Egypt and before. The most important Cabalistic
books are SEPHIR YETZIRAH (The Book of Creation), and the
ZOHAR (Book of Splendor). Through Cabalistic philosophy we
are able to classify and "pigeon-hole" all of existence.
The four worlds are recognized in the Cabala, but
they are given Hebrew names. Thus -- Assiah, physical;
Yetzirah, astral; Briah, mental; and Atziluth, spiritual;
as shown in the chart.
WORLD NAME MEANING ATTRIBUTE
===== ==== ======= =========
spiritual Atziluth Archetypal World pure deity
mental Briah Creative World archangels
astral Yetzirah Formative World angels
physical Assiah Material World action
The divine name of God is TETRAGRAMMATON (or name of four
letters) made from the Hebrew letters YOD HE VAU HE (English
YHVH). Of the four letters, YOD corresponds with Atziluth and
the element of fire; the first HE corresponds with Briah and
water. These first two letters make up a yang-yin pair
(respectively). The other two letters also form a yang-yin
pair (respectively), with the VAU corresponding with Yetzirah
and air; while the second HE corresponds with Assiah and the
element of earth.
The Cabalistic parts of the soul use new names for
the three highest vehicles of consciousness. NESHAMAH
(Divine Soul) is the Spiritual body; RUAH (Moral Soul)
is the Mental body; and NEFESH (Animal Soul) is the
Astral body.
An important attribute of the Cabala is the
SEFIROTIC TREE (or "Tree of Life", Otz Chieem). The
Sefirotic Tree is a diagram of the universe made up of the
ten SEFIROTH (primal numbers or orders of creation) drawn
as circles upon the Tree in a decending pattern from the
highest aspect of God at the top to the most physical aspect
of our world at the bottom. As can be seen in the
accompanying diagram, the sefiroth are connected together
with numbered lines, called paths.
/ (1)\
/ | \
/ | \
(3) /----------|---------\ (2)
| | |
| | |
| | |
(5)\-----------|---------/ (4)
| \ | / |
| \ | / |
| \ (6)/ |
| / | \ |
| / | \ |
| / | \ |
(8)/-----------|--------\ (7)
\ | /
\ | /
\ | /
\(9)/
|
|
(10)
This is my attempt to draw a Sefirotic Tree using ASCII
characters. Several paths are omitted (15, 17, 29, 31).
Please refer to a printed diagram (in most any book on Cabala)
for a better illustration.
----------------------------------------------------------
Above the Tree is the infinite void -- the
unknowable, unmanifest God as Divine Light -- the three veils
of negative existence: Ain, Ain Sof, and Ain Sof Aur. The
Divine Light (Ain Sof Aur) is made manifest by the first
sefira where it is transformed into positive existence.
Emanations of energy (magical current) flow from the first
sefira (Source) along the paths into other sefiroth which
transform and emanate to lower and lower sefiroth. In Adam
Kadman (primal or ideal man) the sefiroth fit upon the
physical body; note the similarity to the chakras. The
process of creation is one of emanation from the spiritual at
the top of the Tree to the physical world (Sink) at the
bottom. All current which is Sourced into the Tree must also
be Sinked (earthed). That is, magical energy set in motion
by ritual shoud be used up in the physical world whether or
not the ritual was a success.
Sefiroth 1, 2, and 3 on the Tree form the Supernal
Triangle which is beyond normal human experience in the world
of Atziluth. The first sefira, KETHER, is the supreme
*crown* of God; it signifies pure Being, and is the Source.
Kether is androgynous. Immediately arising from Kether are
two further emanations. The second sefira is HOKMAH, the
*wisdom* of God and the masculine force of the universe.
Third is BINAH, the *understanding* or intelligence of God;
this is the supernal mother.
Between the Supernals and the other seven sefiroth is
the Abyss -- a great gulf which forever separates ideal from
actual. Within the Abyss an 11th sefira, DAATH, the *knowledge*
of God is sometimes placed.
The second triangle, comprised of the 4th, 5th, and
6th sefiroth in the world of Briah, is sometimes called the
Mental Triangle. Sefira 4, HESED, the *love* or mercy of God,
is male and positive. The 5th sefira, GEVURAH, the power or
*strength* of God complements Hesed as justice. Sixth is
TIFARETH, as the compassion or *beauty* of God; the heart of
the universe.
The third or Astral Triangle contains sefiroth 7, 8,
and 9 in Yetzirah. Sefira 7, NETSAH, is the lasting endurance
or *victory* of God. Complementing Netsah is 8, HOD, the
majesty or *splendor* of God. The 9th sefira, YESOD, the
*foundation* of the world, is linked with the moon, hence the
tides and the libido. Yesod is experienced as dream
consciousness, and is very important in magick and astral
projection.
Finally, at the physical world of Assiah is the 10th
sefira, MALKUTH, the *kindgom* of God, and the basis of all
material creation. We experience Malkuth as sense consciousness.
The Sefirotic Tree has three vertical columns or
*pillars*. As you face the tree, the pillar on the right,
headed by Hokmah and ending with Netsah, is called the Pillar
of Mercy and has light/masculine (yang) qualities. The pillar
on the left, headed by Binah and ending with Hod, is the
Pillar of Severity with dark/feminine (yin) qualities. The
Middle Pillar between them equilibriates the two opposites,
and is the *Shekhinah*, or feminine counterpart of God. The
*klippoth*, or evil demons, generally in Assiah, represent
unbalanced forces or excesses.
All the attributes of the universe fit like pieces of
a puzzle upon the Sefirotic Tree. Each numbered part is a
numeric key to the various correspondence tables, such as
Crowley's '777'. The sefirotic tree has its parts variously
colored and each sefira has a color; in fact the paths which
run between the sefiroth have their own colors too. There are
four major color scales for the sefirotic tree and each color
scale corresponds with one of the four worlds. That means
we are dealing with not just one sefirotic tree, but actually
with a separate tree for each of the four worlds; although it
is easier to think of it as the same tree with a different
color scale. The Queen (Briah) and King (Atziluth) scales are
the most important. There is also the Empress scale (Assiah),
and the Emperor scale (Yetzirah).
The Queen and King scales for the sefiroth are
shown below. (Note that when 4 colors are listed toghether,
the sefira is divided into quarters and the first color is
assigned to the upper quarter, the 2nd color to the right
quarter, the 3rd color to the left quarter, and the last
color to the lower quarter.)
KEY QUEEN SCALE KING SCALE
=== =========== ==========
1 pure white brilliance brilliance
2 gray pure soft blue
3 black crimson
4 blue deep violet
5 scarlet red orange
6 yellow (gold) clear pink rose
7 emerald green amber
8 orange violet purple
9 violet indigo
10 citrine, olive, russet, yellow
and black
The 22 paths connect the sefiroth together. These
paths correspond with the 22 letters of the Hebrew alphabet,
as based upon the SEFIR YETZIRAH. Due to the nature of
the Hebrew alphabet (some letters can take two forms)
SEFIR YETZIRAH divides each of two of the letters into
two (dual) parts. For this reason, it is necessary to divide
each of the two related paths into two (dual) parts. These
are numbered 31, 31b (bisected); 32, 32b. Yet when these
paths are drawn on the sefirotic tree they are usually shown
undivided (and numbered simply 31, and 32). The following
table shows the colors and location of the paths in relation
to the sefiroth. You will want to add the path numbers to
the illustration of the sefirotic tree, or draw a new tree.
Some writers may refer to "32 paths", by calling the sefiroth
"paths" 1-10.
KEY JOINS SEFIROTH QUEEN SCALE KING SCALE
=== ============== =========== ==========
11 1 - 2 sky blue brt. pale yellow
12 1 - 3 purple yellow
13 1 - 6 silver blue
14 2 - 3 sky blue emerald green
15 2 - 6 red scarlet
16 2 - 4 deep indigo red orange
17 3 - 6 pale mauve orange
18 3 - 5 maroon amber
19 4 - 5 deep purple greenish yellow
20 4 - 6 slate gray yellowish green
21 4 - 7 blue violet
22 5 - 6 blue emerald green
23 5 - 8 sea green deep blue
24 6 - 7 dull brown green blue
25 6 - 9 yellow blue
26 6 - 8 black indigo
27 7 - 8 red scarlet
28 7 - 9 sky blue violet
29 7 - 10 buff, flecked crimson (ultra-
silver-white violet)
30 8 - 9 gold yellow orange
31 8 - 10 vermilion glowing orange-
scarlet
32 9 - 10 black indigo
31b deep purple, white merging
nearly black into gray
32b amber citrine, olive,
russet, black
The queen and king scales are complementary. Also
complementary are the paths and the sefiroth. Traditional use
of the queen scale sefiroth will find the king scale as paths
and vice versa. The use of complementary scales is based upon
the idea of balance. A tree composed of sefiroth in the queen
scale and paths in the king scale is all you need for most
magick. Although correspondences are what work for you, there
is said to be an ancient tradition surrounding the
conventional color scales and it may be helpful to lock into
the energy associated with them.
From the magical point of view, the Tree of Life is a
map of consciousness which is useful for understanding and
attaining various states of consciousness. In cabalistic
magick we are concerned with the linking of higher energy to
lower levels on the tree. That very thing takes place
naturally as well, in nature and in life. A subject in itself
is cabalistic meditation (pathwork, or the way of return), in
which we attempt to climb up the tree (ladder of lights) to
attain union with divinity.
[This bulletin board may also carry other related files.
Look for CABALA1.DOC in the MYSTERIA file area.]
REVIEW QUESTIONS
1) What is the sefirotic tree?
2) How is the queen scale used in magick?
3) What is a path? How many are there?
BOOK LIST
J. Abelson, Jewish Mysticism
Edward Albertson, Understanding the Kabbalah
Bernard J. Babmerger, Fallen Angels
Richard Cavendish, The Black Arts
______, editorial comments to "Cabala", Man Myth and Magic
Aleister Crowley, The Book of Thoth
______, 777 Revised
Denning and Phillips, The Magical Philosophy
______, Magical States of Consciousness (on pathworking)
A.D. Duncan, The Christ, Psychotherapy and Magic
Dion Fortune, The Mystical Qabalah
Adolphe Frank, The Kabbalah: The Religious Philosophy
of the Hebrews
Perle Epstein, Kabbalah, the Way of the Jewish Mystic
William Gray, The Talking Tree
Stephan A. Hoeller, The Royal Road
Isidor Kalish, Sepher Yezirah: A Book on Creation
Alta J. LaDage, Occult Psychology
Bernhard Pick, The Cabala: Its Influence on Judaism and
Christianity
Charles Ponce, Kabbalah: An Introduction and Illumination
for the World Today
Henry B. Pullen-Burry, Qabalism
Israel Regardie, A Garden of Pomegranets
______, The Golden Dawn
______, The Middle Pillar
Leo Schaya, The Universal Meaning of the Kabbalah
Gershom Scholem, Kabbalah
______, Major Trends in Jewish Mysticism
______, On the Kabbalah and Its Symbolism
______, Zohar: The Book of Splendor
Arthur Edward Waite, The Holy Kabbalah
R.J. Zwi Werblowsky, "Cabala", Man, Myth and Magic
William Wynn Wescott, An Introduction to the Study of
the Kabalah
______, Sepher Yetzirah
----------------------------------------------------------
** MAGICK 11 -- PSYCHIC ENERGY **
We have seen in the theories of magick, that there
is a definite relationship between the 'inner' and 'outer'
worlds. We saw this in the theory of the microcosm and the
macrocosm; in the four worlds; in the theory of
correspondences; and also in the Cabala and Tree of Life.
This relationship between inner and outer is very important.
And it means quite simply that success (or lack of it) in
one world (inner or outer) influences success (or lack of
it) in the other. Therefore developing of magical ability
is more than meditation and magical practice, for it
implies mastery of the four worlds. The developed magician
is not only master of the inner worlds; he is also master
of himself.
This is not to imply that successful magicians are
all millionaires (or whatever standard people measure
success by), but it should mean that they are basically
pleasant people, at least; no serious hangups. The developed
magician is described as a 'king' in the Book of the Law.
This means simply that he has full control over all aspects
of his physical and inner life. He should be who he wants to
be, doing what he wants to do.
PLANETARY CORRESPONDENCES
The *numbers* in the tables and diagram of the
preceeding lesson on Cabala are the 'key' numbers which we
find in various *correspondence tables* (such as Crowley's
'777'). One important set of correspondences for the planets,
is shown below...
KEY PLANET METAL ATTRIBUTE
=== ====== ===== =========
3 Saturn lead home
4 Jupiter tin luck, wealth
5 Mars iron anger, war-like
6 Sun gold vitality
7 Venus copper love
8 Mercury mercury knowledge
9 Moon silver emotions, travel
Notice that we have included the metal which is associated
with the planet, as well as common attributes of each
planet. The theory of Cabalistic magick is to select the
appropriate planet for the desired result. The attribute
column will assist in that selection. Once a particular
planet is determined, an entity is selected from the
correspondence tables by matching the key number. A
set of correspondence tables may be available on this
board as a separate file (777.ARC). Additionally, a
list of selected deities from several popular pantheons
and with a brief description about them may be available
on this board as GODS.LST.
Although Hebrew Mysticism is the original source
of Cabalistic ideas, it is mostly unconcerned with the
magical implications of those ideas. How can a religious
philosophy which is monotheistic lend credibility to
a polytheistic approach? Various deities are understood
as *aspects* or *qualities* of the Supreme God. This
is not a contradiction, merely a restatement of the
microcosm-macrocosm idea once again. The Sefirotic
Tree, in its representation of the universe is
the Macrocosm. While it could be said that any
single sefiroth has its own separate qualities, it
remains, nonetheless, a part of the whole tree, and
a part of the macrocosm. As a result, virtually
any pantheon or belief system is compatible with
the Cabala.
WILLPOWER AND MAGICK
Western magick has traditionally placed a great deal
of emphasis upon the use of willpower as a means of
development and self-mastery. But this may not be the best
method in the long run. Isaac Bonewitz describes how the
subconscious will sometimes rebel against willpower with
'spectacular results'. It is far better to run one's life
democratically.
Hawaiian Kahuna magick describes the 'three selves',
ie. the lower self (or subconscious), the middle self (or
normal consciousness), and the high self (spirit or Holy
Guardian Angel). Enlightenment in the Hawaiian system
consists of unification of the three selves. They become
'buddies'. Enlightenment does not come from great change. It
comes from great acceptance. Continual effort at becoming
better takes you nowhere. For becoming it is not being it.
The unification is achieved by first developing
communication with the subconscious and later with the
high self also. Simple exercises with a pendulum, automatic
writing, raised finger responses, self hypnosis, recording
and analysis of dreams etc. facilitate communication with
the subconscious. At first communication with the high self
must be via the subconscious, but later it is possible to go
direct to it.
PSYCHIC ENERGY
Many occult groups follow an energy model for magick
and the physical body. This model (or theory) equates
psychic energy with kundalini/prana/sexual or life force
energy. The ideal of kundalini yoga is thus to raise the
kundalini to the higher chakras (especially ajna and
sahasrara) thereby enhancing psychic/magick powers. The
release of psychic energy is also relevant to mental
control, good health and longevity, and the attainment of
'cosmic consciousness'. Meditation and yoga is used to
liberate psychic energy so that it can be used for magical
purposes. But there are other ways to liberate psychic
energy. Many of these techniques will act as a mental
catharsis in the sense of invigorating the psyche and
resulting in improved intellectual and physical performance.
1) Psychotherapy of certain types which releases
pent up psychological energy.
2) Overcoming mind games, hangups, and inhibitions.
This is the basis of all listed practices, as hangups waste
psychic energy. Certain psychotropic drugs may have this
affect. Also the 'kicks' from 'risks' like skydiving.
3) Vigorous dance and physical exercise -- to the
point of 'second wind'.
4) 'Desirelessness' and various religious practices.
5) The way of return, and various other mystical
practices.
6) Atavistic resurgence. This last item deserves
some extra mention. It was one of Austin Spare's methods.
It means to contact the primitive emotions deep within the
psyche. In a sense it is regressive. However, there is power
there, if you are able to control it.
We have seen how magical theory is based upon the
assumption that psychic phenomena is real. If this is so,
then magick is also real. And we have also seen how magick
is the art and science of causing change in accordance with
the will by non-physical means. Magical philosophy is the
working system of terms, theories, and symbols upon which
magick is based. But magick goes further than that, for as
an ancient system of psychology, magick may be used as is a
means of self improvement and spiritual growth. For magick
and mysticism are parallel paths, each ultimately leading
to transcendence.
REVIEW QUESTIONS
1) What do we mean by the relationship between the inner
and outer worlds?
2) What is wrong with willpower?
3) Explain the energy model of magick.
BOOK LIST
P.E.I. Bonewitz, Hawaiian Magic (tape).
Pete Carrol, Liber Null.
------, Psychonaut.
John Heriot, Teaching Yourself White Magic.
Allan P. Lewis, Clearing Your Lifepath.
Max Freedom Long, The Secret Science Behind Miracles.
------, The Secret Science At Work.
Stephen Mace, Stealing the Fire from Heaven.
ong, The Secret Science Behind Miracles.
------, The Secret Science A